What men or gods are these? The northern Europeans plundered the Greeks' ancient artifacts, and some might joke that now the Greeks are taking revenge by blowing up the European economy… Urns are known not only for their sleek, beautiful shape but also for the quality of the pictures that were often painted on their sides. Yet, why would someone, especially a young poet, long for love with no kissing, a bliss never to be had? He addresses the town and declares that it would ever remain silent and desolate. You could write an ode to Chipotle if you love burritos as much as I do. After this cascade of enthused questions, the poet switches tactics to tell readers and the urn and its characters what to think and do. This is one complex poem for sure!. The the urn, with its antique, layered images of timeless human stories, stuns the speaker into a confrontation with eternity.
They're kind of saying 'this urn is beautiful, so are the people on it. Greek urns were a type of pottery used for holding water, wine, olive oil - they really liked olive oil. What men or gods are these? The rhyme scheme is split into two parts, with the final three lines of each stanza varying slightly. To what green alter, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? The leaves of these trees can never fall and the spring season would ever abide here in the urn. Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? He delights in this imagery of antiquity, yet his ambivalence never leaves this Dionysian procession of either celebration or struggle or both.
As with any three-dimensional work of art, a vase, even a textual one, must be viewed from multiple angles. The speaker attempts three times to engage with scenes carved into the urn; each time he asks different questions of it. He wonders about the figures on the urn: are they deities or mortals, in Tempe or Arcady, pipes and timbrels, and are they men or gods in mad pursuit of maidens in a struggle to escape or in wild ecstasy? Keats surrounds the urn with all these pressing questions and tries to assure us at the end with its ventriloquent wisdom. I think that it starts powerfully and ends so, too. ~ Poetical Works of John Keats, ed. The stone and the engravings on it do tease the poet to think forever. To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? He says that the lovers would always share the excitement of the chase, hot and panting because of it considered and allusion for the act of sex and they remain eternally youthful.
One, that if it was the urn that was giving the message, it is telling people that all we need to understand and appreciate in life is that beauty is the ultimate truth and there is honesty in beauty that goes untainted forever. What men or gods are these? This issue is further discussed at the bottom of this page. Negative capability may be a fantasy of identification with the Other; the Greek world was not at all ideal—the poet cannot escape his pain, yet his pain can make a marvelous poem. What men or gods are these? But that took away from his free time and writing, and eventually he returned to his true calling. It was only after his untimely death that he was truly regarded as one of the greatest English poets ever to have lived. There is a ripple of sorrowful thinking that the lovers cannot kiss though they are very close. It follows the iambic pentameter, with ten lines in each stanza.
They are usually very thoughtful works that try to praise and elevate their subject. He wonders about the figures on the side of the urn and asks what legend they depict and from where they come. Note the two for evers in two lines: there are five whole for evers in this one stanza! Ode to Grecian Urn Summary, a poem by John Keats John Keats calls the Grecian Urn a bride which is not touched by anyone. What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? As it progresses, it loses its perfection. As in other odes, this is only a general rule, true of some stanzas more than others; stanzas such as the fifth do not connect rhyme scheme and thematic structure closely at all.
Since his death, his work has been largely debated upon and analyzed, and although delayed, he is now praised and respected as one of the greatest English poets of all time, and his work is largely anthologized. The poem represents three attempts at engaging with the urn and its scenes. In fact he is the foremost poet of that time whose contribution of poetry is great and his name is not to be written in water but to be carved in golden letters among the poets and a very good poem and I likes the poet very much with tributes. Lesson Summary To sum things up, 'Ode on a Grecian Urn' is one of Keats' most famous poems. And what lesson is that, you ask? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. We need a modern equivalent to understand the phenomenon. Is the bride also chased in mad pursuit and struggling to escape? Exasperated readers have wondered forever.
You might have heard this line before; it's a pretty famous one, and it basically is Keats outing himself as a Romantic poet. But the poet also reminds the reader that the lovers on the urn are unable to their passion—the price they pay for their permanence. Ode on a Grecian Urn, poem in five stanzas by , published in 1820 in the collection Lamia, Isabella, The Eve of St. What men or gods are these? Here, his curiosity from the first stanza evolves into deeper kind of identification with the young lovers, before thinking of the town and community as a whole in the fourth. Before we get to 'Ode on a Grecian Urn,' we're going to talk about Grecian urns in general. This controlled stanza achieves negative capability within its vivid and unknowable mysteries, as Keats again humbly undermines his poetry while he affirms the grandeur of the urn he imagines. Most of the poem centers on the story told in the images carved on the side of one particular urn.
To a great extent, they have defined what modern lyric poetry is. He wonders to which altar the priest is leading the sacrificial cow to, the one that was adorned with colorful garlands. He had actually having the knowledge of human suffering and woes of human life in family and surroundings of that period which came to read in his Biography. It just sounds great, doesn't it? What we find beautiful in the actual world leads us to a transcendent truth, and whatever we experience as truth has sensual beauty. What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? Arguments can be made for any of the four most obvious possibilities, -poet to reader, urn to reader, poet to urn, poet to figures on the urn. Art freezes things in place, including, maybe, this poem that we're reading, because Keats is dead and we're still looking at it.
If you ever think about your house or your car being lonely and sad when you're not there, that's pretty much what Keats is doing with these people and their town. Insistent repetition and exclamation are the stratagems here as a knowing signal to readers that this scene is one of artifice—only in art can such happiness exist. Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? People have debated about what this line means, but what they're essentially saying is that when young love is consummated - or maybe even just when a couple spends more time together; it might not have to do with sex - bad things happen. Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. The trees behind the pipe player will never grow old and their leaves will never fall, an idea which pleases the narrator.